With her expressive brown eyes, lustrous dark hair and flawless olive
skin, Penelope Cruz burst on the scene as a teenager lending an air of
sultry innocence and a flair for drollery and nudity as the sexy ingenue
in Bigas Lunas’ American art-house hit “Jamon
Jamon” (1992). She
solidified her status as a rising star playing the virginal Luz in
Ferdinand Trueba’s 1994 Oscar-winning “Belle Epoch”. Born in Madrid,
Cruz began studying dance as a teenager. At age 15, she auditioned for a
talent agent who signed her
immediately. Within two years, she had
segued to the big screen in “El Laberinto Griego/The Greek Labyrinth”
(1992) before her breakthrough in “Jamon Jamon”.
As a rising star in her native Spain, Penelope Cruz got to work with top
directors and played myriad parts ranging from the Virgin Mary in “Per
Amore, Solo per amore/For Love, Only for Love” (1993) to a medieval
bride in “Celestina” (1996) to a pregnant prostitute in Pedro
Almodovar’s “Live Flesh” (1997) to the supportive girlfriend of a man
disfigured in car accident in Alejandro Amenabar’s “Open Your Eyes”
(1998). She reteamed with both Trueba and Almodovar for two her best
screen performances to date. Purportedly based on a true incident,
Trueba’s “The Girl of My Dreams/La Nina de tus ojos” (1998) allowed the
actress to pay homage to her grandmother in her portrayal of an
Adalusian cabaret singer trapped in Nazi Germany who catches the
attention of propaganda minister Josef Goebbels. Almodovar once again
had her playing a woman with child in the Cannes favorite “Todo sobre mi
madre/All About My Mother” (1999) although this time in a sly bit of
irony, the fragile beauty portrayed a nun.
Attempting to broaden her employment opportunities, Cruz began acting
in English in the British miniseries “Framed” (1993). She went on to
appear as the sweet charge of an Irish governess in the period drama
“Talk of Angels” (shot in 1994; released theatrically in 1998) and lent
her luminous looks to the thankless role of the Mexican girlfriend of
Billy Crudup’s cattle rancher in Stephen Frears’ “The Hi-Lo Country”
(1998). Penelope Cruz also played a bookish barmaid who catches the eye
of Scotsman Douglas Henshall in the fantasy romantic comedy “Twice Upon a
Yesterday/If Only/The Man with Rain in His Shoe” (1998). The actress’
status as a rising international star was firmed when she landed the
female lead opposite Matt Damon in Billy Bob Thornton’s screen version
of “All the Pretty Horses” and the lead as a South American chef coping
with her newfound success when she lands a TV show in the USA in the
comedy “Woman on Top” (both 2000).
Penelope Cruz would soon gain ground in Hollywood with roles as sexy,
exotic types in “Blow” (2001) with Johnny Depp and “Captain Corelli’s
Mandolin” (2001) with Nicolas Cage, but it would be a role opposite
superstar Tom Cruise both on screen and off that would propel the
actress to the forefront of Hollywood. After being naturally cast as
Cruise’s love interest Sofia in “Vanilla Sky” (2001), writer-director
Cameron Crowe’s intriguing but not-quite-fulfilling Americanized
reworking of “Open Your Eyes” (Cruz played the same role she did in the
original), Penelope Cruz embarked on a highly publicized relationship
with her world-famous leading man, shortly after his notoriously
acrimonious split with Nicole Kidman. The couple was catapulated to the
front of the headlines, and Cruz was became a well-known personality.
Her noteriety did not immediately translate into more film roles,
however; in 2002 she appeared briefly in the aimable but unremarkable
comedy “Waking Up In Reno” opposite Thornton, and in 2003 she delivered a
nice turn as Chloe a mental patient who believes she consorts with
demons and begins to suck her former therapist (Halle Bery) into her
dark world in the otherwise preposterous thriller “Gothika.” She then
played support to Charlize Theron and Stuart Townsend in the wartime
melodrama “Head in the Clouds” (2004) as a bohemian drawn into a strange
menage. The actress then took on the role of Eva Rojas, the paramour of
master explorer Dirk Pitt Matthew McConaughey in “Sahara” (2005), the
Paramount Pictures adaptation of Clive Cussler’s bestselling adventure
novel, and interest in the film was fanned by the off-screen romance
between Cruz and her leading man.
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